's reputation as hip-hop's greatest storyteller hangs on his classic debut, one of the most influential rap records of the late '80s - for better and worse. Most of the production is standard early Def Jam, but 's style on the mic is like no one else's. His half-British accent and odd, singsong cadences often overshadow the smoothness of his delivery, but there's no overlooking the cleverness of his lyrics. His carefully constructed narratives are filled with vivid detail and witty asides, and his cartoonish sense of humor influenced countless other rappers. He'll adopt a high voice for his female characters, and even duets with his old alter ego on 'Mona Lisa.'
But there's also a dark side to - namely its vulgarity and off-handed misogyny. No MC had ever dared go as far on record as, and the tracks in question haven't really lost much of their power to offend, or at least raise eyebrows. The notorious 'Treat Her Like a Prostitute' is the prime suspect, undermining well-intentioned advice (don't trust too quickly) with cynical, often degrading portrayals of women. 'Indian Girl (Adult Story),' meanwhile, is an X-rated yarn with a barely comprehensible payoff. Yet this material is as much a part of 's legacy as his more admirable traits, and he was far from the last MC to put seemingly contradictory sides of his personality on the same record.
Slick Rick Behind Bars
Children's Story Slick Rick
And it's worth noting that most of his, no matter how dubious, end up as cautionary tales with definite consequences. That's especially true on the tragic 'Children's Story,' in which a teenage robber's increasingly desperate blunders lead to his destruction. In the end, is simply too good not to deserve the countless samples and homages by everyone from to.